Pakeezah literally translates into ‘Pure One’, and if by some magical way one has to describe the music of this film, then “Pakeezah” truly is apt.
The warm winter’s afternoon got me revved up for the evening performance, the knowledge of five generations of sitar players and that lineage proudly played out at the Lyric theatre on the evening of the 30th July 2017.
It was a night that has been etched into my heart and memory, full of spring, and new awakenings.
S S Rajamouli is a great story teller. He infuses so much of passion into Baahubali 1 & 2 that it is almost unthinkable, to even imagine how such a film got made.
Not knowing what to expect when I played the CD, only knowing the genre and that this might be a more ‘Classical’ Rock fusion, I was amazed at the precision of singers. The detail which they give the Raags in these 4-5 minutes is an achievement on its own.
I watched S. S. Rajamouli’s Maghadheera and Eega before this one, and I must say with Baahubali, he really outdoes himself.
There are many iterations of Devdas all over Bollywood, and Anmol Ghadi is also one of them. The writers just switched Devdas and Paro’s affluence; in what results in an overly melodramatic adaptation.
Now having watched Highway after Tamasha, I cannot simply dismiss the cinema that Imtiaz Ali makes. I will make it a point to never miss his movies at the cinema.
Satyajit Ray is truly a master story teller; Pather Panchali cements this sentiment; it is a sensitive film about relationships and life itself. The reality that is shown in this movie is scary, it’s like Ray was just filming a common family and showing the world what goes on in some corners of the world, which they probably never thought existed.
Like All A. R. Rahman soundtracks, the entirety of the album doesn’t hit you right away; it takes its time to absorb into your mind, and once there it embeds into your soul. Tamasha’s music will sustain through the long term, and that makes me smile.
Bajirao Mastani is based on the love story between Peshwa Bajirao I and his second wife Mastani; set in the time period between 1720AD – 1740AD; the epic also depicts the angst and sacrifices of Kashibai (Bajirao’s first wife). The music, while staying relevant to the time period, has to also cater to the titular characters Marathi heritage and be fresh enough to cater to the current audience.
After a while we get a soundtrack that sounds completely new but remains loyal to old school bollywood. Full of melody, great music arrangements by Vishal Bhardwaj.