Directed by	Imtiaz Ali
Written by	Imtiaz Ali Sajid Ali
Produced by	Imtiaz Ali Mohit Choudhary
Starring	Diljit Dosanjh, Parineeti Chopra
Cinematography	Sylvester Fonseca
Edited by	Aarti Bajaj
Music by	A. R. Rahman
Production companies	Window Seat Films, Select Media Holdings, LLP, Saregama
Distributed by	Netflix
Release dates	8 April 2024 (Mumbai) 12 April 2024 (Netflix)
Running time	146 minutes
Country	India
Language	Hindi

The trio of A. R. Rahman, Irshad Kamil and Imtiaz Ali immediately conjures up whirlwind of colours, and modern day classics that have already proved their mettle in music. Chamkila is their fourth collaboration after Tamasha, Highway and Rockstar. Three soundtracks which have been greatly successful and popular, and to this day remain stellar albums. We can immediately highlight tracks from each of these wonders, but for that check the review of Tamasha on this site. How does Chamkila fair?

In All honesty, i cant say i knew much about the singer Amar Singh Chamkila, and i wont claim that i would have been enamored by his music; for one, the high and deep Punjabi would be at a total loss to me. No context to the lyrics and even the folk tunes that he imbibed in his music to win over the hearts of many fans across the world were not of the ‘normal’ music that featured in our homes. And even more beleaguering would be that i grew up in the era of his popularity. The saddest part is that even his death was not made a ‘big deal’ around our part of the world. When we heard about the death of Siddu Moosewala, i was actually quite shocked at why someone would want to assassinate a musician, and this movie does prove to gives some context about what actually goes down.

But here is just the magic of Imtiaz Ali that truly captivated me, for all the issues i highlighted in the above paragraphs, he provides a solution to this brilliant biographical of the late singer. The movie provides enough context to keep you engaged and such detailed timelines that appear on in non-linear format, but each with something important to share. In fact he has told the story so well that we feel the pain of losing him now again in 2024, and to add on to the wonderment is A. R. Rahman and Irshad Kamil. I have enough superlatives that i will use to describe A. R. Rahman’s music, but the true star is Irshad Kamil. His lyrics have honestly encapsulated the late artist’s style and flavour. The movie was a roller coaster ride and each track was like riding the roller coaster over and over again. From the spunk of Baaja to the endearment of ‘Vida Karo’ there are tons of emotions in between until the tears flow for ‘Vida Karo’ Also please keep in mind, that the songs created by Rahman for this biopic are odes to his life and happenings, Imtiaz Ali retains the original songs of Chamkila and Amarjyot in the movie itself, and that too sung by Diljit Dosanjh and Parineeta Chopra themselves.

In the realm of contemporary Bollywood soundscapes, the auditory experience furnished by the 2024 film “Amar Singh Chamkila” emerges as a distinguished and laudable exception. The soundtrack, a confluence of A.R. Rahman’s musical ingenuity and Irshad Kamil’s lyrical prowess, is an exquisite homage to the life and legacy of the eponymous Punjabi folk legend, Amar Singh Chamkila.

Ishq Mitaye was the first song to be unleashed to us unsuspecting audience, and it proves to be the anthem of ‘Chamkila’, It is studiously created for one purpose, and that is to hook the audience with a superb lyrical composition by Irshad Kamil. Despite it being touted as a ‘Love Song’, there is really much more to it, its mere energy is there to showcase the resilience of spirit and mind. Mohit Chauhan has been a constant in Imtiaz Ali’s films, and even here he shines, His voice and diction of the Punjabi style is spot on and carves wavelengths of harmonious revelry. Whether It was Matargashti in Tamasha, Kun Faya Kun in Rockstar and even this track, all three three different genres across different social messages, Mohit Chauhan proves his mettle.

A Chorus comprising the vocals of Harshil Pathak, Sarthak Kalyani, Inderpreet Singh, Romy, Aasa Singh, Arvinder Singh begin the track describing the atmosphere, already rousing the minds about the surroundings. The Tumbi and a bass rhythm adds on with a light guitar strum introducing the energetic Mohit Chauhan. The track is interspersed with singing and near-rap-like lines but blended so well to create an enigmatic feel. Hear how Rahman weaves the chorus through the track, emphasizing Mohit’s lines and-with just sheer brilliance in different octaves, the chorus sings in the higher octaves when Mohit describes his love, and on the lower scales when he proclaims ‘Main Hoon Punjab’. That particular lyrics gives you goosebumps and it comes at the perfect moment on the film. Rahman creates the track in an absolutely stylized manner that is melodiously conjoined in earth essence. Many people will say that the singers should have been rooted within the Punjabi hinterland, but this is again the genius of Imtiaz Ali; the style and wider appeal has been given as something more contemporary and it works!

Chhat Pachiyan Ranga Di, Aaho! Dhup Barsati, Aaho!
There are 25 hues on the roof, oh! The sun showers its light, oh!
Sone Rangi Dharti Ka, Gote Ranga Hai Lehriya
The earth gleams golden, while the waves blush red.
Donon Ko Hi Chahton Ne Chahton Se Mara
Both bear the scars of love,
Ishqara Ishqara Ishqara Ishqara
Love, love, love, love,
Hey Ishqara Ishqara Ishqara Ishqara Han
Hey, love, love, love, love,

Ishq Mitaye Haye Haye
Love erases, oh, oh,
Ni Maye Mera Ishq Mitaye Haye Haye
Mother, my love erases, oh, oh,
Ishq Mitaye Haye Haye
Love erases, oh, oh,
Ni Maye Mera
Ishq Banaye Haye Haye
Mother, my love create.
Ni Maye Mera Ishq Banaye Haye Haye
Mother, my love creates, oh, oh,
Ishq Mitaye Haye Haye
Love erases, oh, oh, Ni Maye Mera Ishq Banaye Haye Haye
Mother, my love nurtures, oh, oh,
Mod Gaya Payee Payee
Every penny has been returned to me.
Ni Mahi Mera Mod Gaya Payee Payee
My beloved has repaid every penny, Mother.
Jeeve Agg Meri Sara Jal Mera Jeeve
May the fire and water within me endure.
Jeeve Agg Meri Sara Jal Mera Jeeve
May my inner fire and water thrive

Aag Se Khel Ke Nikhra Lish Lish Chamka Main, Jeeve Dhunak Dhun Meri
Confronting challenges, I emerge radiant. May my rhythm endure.
Dhunak Meri! Dhunak Meri! Dhunak Meri!
My rhythm! My rhythm! My rhythm!
Maye Nee Main Hoon Ishqayi, Maye Nee Main Hoon Ishqayi
Mother, I’ve found love. Mother, I am in love.
Maye Nee Main Tadpan Payi, Maye Nee Main Tadpan Payi
Mother, I’m in pain. Mother, I’m in anguish.
Ishq Mitaye Haye Haye
Love erases, oh, oh
Ni Maye Mera Ishq Banaye Haye Haye
Mother, my love creates, oh, oh,
Ishq Mitaye Haye Haye
Love erases, oh, oh

Ni Maye Mera Ishq Banaye Haye Haye
Mother, my love nurtures, oh, oh
Thirakta Reh Matakta Reh,
Jo Ho Na Ho, Jo Ho Na Ho
Keep dancing and winking, Whether it comes to fruition or not.
Main Hoon Panjab
I am Punjab.
(Tu Na Sadda! Tan Ki Sadda!)
“Who else, besides me, can claim you as their own?”
Rabba Sathon Muh Na Modeen
Dear God, please do not turn your face away.

Jeeve Agg Meri Sara Jal Mera Jeeve
May the fire and water within me endure.
Jeeve Agg Meri Sara Jal Mera Jeeve
May my inner fire and water within me endure.
Ishq Mitaye Haye Haye
Love erases, oh, oh,
Ni Mahi Mera Ishq Mitaye Haye Haye
My beloved erases….
Mod Gaya Payee Payee
Every penny has been returned to me.
Ni Mahi Mera Mod Gaya Payee Payee
My beloved has repaid every penny, Mother.

Dalungi Main Roz Boliyan
I will sing folk songs every day.
Ni Maye Meri, Dalungi Main Roz Boliyan
O’ mother, I will sing folk songs every day.
Guddiyan Main Sab Kholiyan
I have lost all my dolls.
Ni Maye Maine, Guddiyan Hai Sab Kholiyan
O’ mother, I have lost all my dolls.
Mere Agge Duniya Ka Rang Sara Fikka
The entire world seems dull in comparison to me.
Apne Lahu Se Hi Lagaya Maine Tikka
I’ve marked my forehead with my own blood.
Dass Kyon Daran Pakkiyan Jadaan
Why do you fear? The roots are resilient.
Apne Paron Pe Mujhe Pakka Hai Bharosa Main Uda
I have complete confidence in myself as I soar.

Chal Hawa Bana Ud Jawan, Sama Bana Gumm Jawan
Come, let’s transform into the wind and soar. Let’s meld into the sky and vanish….
Jane Kiski Mehar Chadhi Rehti Lehar
Who knows whose blessing, as the wave continuously boosts my energy.
Kaise Jaun Main Thehar Batlana How can I halt? Tell me.
Ishq Mitaye Haye Haye Love erases, oh, oh
Ni Maye Mera Ishq Mitaye Haye Haye
Mother, my love erases, oh, oh
Main Hoon Panjab
I am Punjab.
(Tu Na Sadda! Tan Ki Sadda!)
“Who else, besides me, can claim you as their own?”
Rabba Sathon Muh Na Modeen
Dear God, please do not turn your face away….

There is a scene in the film that aptly depicts the way society reacted to an article written about the music of of Amar Singh Chamkila, and much like today, it seems that everyone jumps onto the bandwagon. Without understanding or even delving into understand why Chamkila composed the songs he did, they labelled him as a pervert that was ready to manipulate, infiltrate and contaminate the minds of the youth. After just one article, everyone wanted to stand against the artist, the movie depicts this so well, and Imtiaz Ali again creates a cinematic showpiece that calmly shows an elderly woman pondering about the ruckus and gently saying, But, What Is the big deal? We’ve been singing these songs all our lives, at functions Out Aloud! and then the penny drops, does society react only when it suits them? Or is it that they cannot bear to see someone attain some fame and glory through their art. In reality it was just a case of frugality; all the common artists were singing songs, but the protectors of society came down heavily on Chamkila for his music. There was a point in the film where a character asks ‘But Who has the right to tell anyone what you should listen to or not?’ Naram Kaalja exacts this sentiment. Why make a big deal about something that has already been commonplace, and even more so, we know what we are all about!

This is a song that celebrates women’s qualities and their ability to go against what society norms. The song also encourages women to challenge traditional gender roles and stereotypes. It presents a strong woman who is not afraid to follow her dreams and take charge of her own life. Naram Kaalja is based on older folk song called ‘Mera Naram Kaalja Tadke’ and while it borrows some elements of tune and style, the lyrics are completely Irshad Kamils’ and he styles it in line with the movie itself.

The tumbi and flute open the track with a naughty flavour of an all female chorus led my the lead singer: Alka Yagnik, Richa Sharma, Pooja Tiwari, Yashika Sikka and aided with additional vocals of Pinky Maidasani, Shifa Ruby and Meenu Kale. Rahman stays true to the Punjabi folk element and the we get the great percussion and spot on tune. Richa Sharma & Alka Yagnik stand out and give the track a wonderful breezy feel. Rahman has added some electronic elements which enhance the’folksiness’ of the track. The Dhol is prominent throughout the track and in pure Rahman style give it an extra zing that makes you want to just dance. The lyrics adds a zesty flavour to the track.

Naram Kalja Naram Kalja,
A heart that is tender and kind
Garam Tabiyat Naram Kalja,
A gentle heart, full of warmth
Naram Kalja Naram Kalja,
A heart that is tender and kind
Garam Hai Neeyat Naram Kalja,
Warm intentions and a compassionate heart
Mera Auratpan Sara Tere Nam Vaseeyat Hai,
I offer my femininity as an homage to you.
Mera Auratpan Sara, Tere Nam Vaseeyat Hai,
I dedicate my womanhood as an homage to you,
Main Ghar Ki Kheti Hoon,
I am nurtured at home.
Main Ghar Ki Kheti Hoon Meri Ye Tarbiyat Hai,
I was raised being nurtured at home.
Main Hoon Alhad Jhallad Fakkad, Karde Daram Daram Dum Daingad,
I am fearless, unbridled, and carefree; everyone fears me.
Tu Loot’ta Ye Sochke Main Naram Tu Mardaan Hai,
You think you can take advantage of me I am soft, and you are a man.
Par Darasal Mere Liye Tu Aish Ka Samaan Hai,
But in reality, to me, you are an object of pleasure.
Dum Dum Daingad Daingad, Dum Dum Daingad Daingad,
Dum Dum Daingad Daingad Daingad,
Ulta Daram Daram Dum Daingad,
Dum Dum Daingad Daingad Daingad,
Dum Dum Daram Daram Dum Daingad,
Throughout a song, the line “Dum Dum Daingad Daingad” is used frequently to set a vibrant and passionate tone that serves to emphasise the deep feelings that are represented throughout the song.

Beti Ki Mummy, Daddy Ki Gudiya,
I am the beloved child of a mother and father.
Devar Ki Bhabhi Ji Hoon Jag Samjhaye Haye,
It is widely known that I am related to my brother-in-law,
Devar Ki Bhabhi Bi Main Hoon,
I am the sister-in-law of my brother-in-law.
Rishte Qaboolun Par Main Na Bhoolun,
I acknowledge this connection; however, I will not forget
Kaise Bujhani Hai Jo Agg Lag Jaye, Jalta Badan Jo Mera Ho,
How to extinguish a fire that begins, if flames consume my body.
Gupchup Gupchup Ye Na Samjhi Tera Hi Hai Jee Karda,
I couldn’t understand your secret desires.
Gupchup Gupchup Tumse Zyada Mera Bhi Hai Jee Karda,
Secretly, I also desire the same.
Chamkeela Mere Andar Bhi Bole Sadaa,
I can’t get Chamkeela’s songs out of my head, and occasionally I even catch myself belting them out.

Haye Main Mar Jan Gurr Kha Ke,
Dum Dum Daingad Daingad, Dum Dum Daingad Daingad,
Dum Dum Daingad Daingad Daingad,
Dum Dum Daram Daram Dum Daingad,
Dum Dum Daingad Daingad Daingad,
Dum Dum Daram Daram Dum Daingad,
The phrase “Dum Dum Daingad Daingad” in a song creates a lively and passionate mood, highlighting intense emotions expressed metaphorically.
Chhoti Si Aari Le Ke Tu Kya Katega Jungle,
What can you cut in the jungle with a small saw?
Tu Do Paise Ka Dangal Main Do Dhari,
You are a cheap fighter.
Main To Na Bechari Aane De Meri Bari,
I am a double-edged sword.
Tu Loot’ta Ye Sochke Main Naram Tu Mardaan Hai,
You think you can take advantage of me I am soft, and you are a man.
Par Darasal Mere Liye Tu Aish Ka Samaan Hai,
But in reality, to me, you are an object of pleasure.
Mera Naram Kalja Achha,
A heart that is tender and kind
Meri Garam Tabiyat Achha,
A gentle heart, full of warmth
Besharam Tabiyat,
Shameless nature,
Dum Dum Daingad Daingad Daingad,
Dum Dum Daram Daram Dum Daingad,
Dum Dum Daingad Daingad Daingad,
Dum Dum Daram Daram Dum Daingad,
The expression “Dum Dum Daingad Daingad” encapsulates a vibrant and exuberant emotion that symbolises a woman’s deepest longings.
The sounds imply confidence in oneself and a desire to go against social norms.

Naram Kalja Naram Kalja,
A heart that is tender and kind
Garam Hai Neeyat Naram Kalja,
Warm intentions and a compassionate heart
Mera Auratpan Sara Tere Nam Vaseeyat Hai,
I offer my femininity as an homage to you.
Main Ghar Ki Kheti Hoon Meri Ye Tarbiyat Hai,
I was raised being nurtured at home.
Dum Dum Daingad Daingad, Dum Dum Daingad Daingad,
Dum Dum Daingad Daingad Daingad,
Ulta Daram Daram Dum Daingad,
Dum Dum Daingad Daingad Daingad,

Sometimes the most heartfelt songs are the most simple ones, where the vocals, lyrics and instruments merge to create a flurry of emotions. ‘Tu Kya Jaane’ has all those elements; they unify the emotions of the listener. This song was initially intended to be sung by Shreya Ghoshal, but fate would have no other way. It was time for Yashika’s moment to shine. As A. R. Rahman recalls that for the foundation of getting to the ‘Punjab-ism’ of the music, they had invited a few singers from the region to Jam and create beats with. Yashika’s voice stood out, especially after the recording of Naram Kaalja and Rahman suggested to get Yashika to sing this track. Her debut album by A. R. Rahman, what more could anyone ask for? Watch Rahman relate the experience:

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A post shared by Yashika Sikka (@jeemainyashika)

The tumbi begins the track, which is an ode to Chamkila himself, the Tumbi was like his drone tanpura that is usually associated with folk and classical music. Rhythm and Dhol drop, and it adds another level of melody over the Tumbi, The tune itself meanders around a melody of raga’s, none too distinguishable but simple enough to enjoy the tempering of the melody itself. Yashika Sikka provides a beautiful rendition and her dusky vocals set to Irshad Kamil’s lyrics lend a great beauty to the listener. You can almost hear her smiling and yearning when she renders the lyrics, especially on the higher octaves. The lyrics describe their intense affection, longing for their beloved, and fear of rejection. The imagery used in the song is rich and evocative, with references to the heart, soul, and breath being offered as tokens of love and devotion. The song also explores the theme of secrecy in love, with the protagonist pledging to keep their love hidden from the world while cherishing every moment shared with their beloved in private. Rahman adorns the interludes with alluring string instruments including the Sarod, Mandolin and Banjo.; its Rahman’s virtuosity that he crafts these instruments into its folksy avatar. Bass guitar and flute also feature to enhance the melodic components.

Tu Kya Jaane Mere Yaar, Haye, Tu Kya Jaane Mere Yaar
My affection for you is so profound that you wouldn’t comprehend it, my darling.
Chhup-Chhup Takti Hoon Keh Na Sakati Hoon,
I can’t speak, silently gazing as my eyes confess what my lips cannot

Naina Chor Se Ik Din Zor Se, Karna Hai Tujhako Pyaar Haye,
Naina Chor Se Ik Din Zor Se, Karna Hai Tujhako Pyaar
One day, I’ll gather the courage to declare my love for you and reveal my heart’s desires.
Tu Kya Jaane Mere Yaar, Haye, Tu Kya Jaane Mere Yaar You,
my dear, would not understand.
Tan Ka Taaj Bhi Mann Ka Raaz Bhi,
My soul longs to bestow its secrets upon only you, my love.
Apna Aaj Bhi Tujhape Hai Dena Vaar
My body, heart, and even my breath are yours to have.
Tu Kya Jaane Mere Yaar, Haye, Tu Kya Jaane Mere Yaar You,
You, my love, would not comprehend

Sachiyan Mohabbataan Buland Karake, Rakhna Pitaari Mein Tu Band Karke
My love for you is genuine and strong, and please, keep it hidden from plain sight.
Rusna Vi Hasna Vi Naal Tere, Sabase Chhupa Rakhana Ang-Sang Mainne Haye, Aaye, Aaye, Aaye, Aaye
I will keep our pleasures and sorrows secret, my beloved.
Jeet Loon Zamaane Se Main Jang Karake
For you, my love, I’ll fight with all my might and face the world’s challenges with courage.
Tujhpe Dupatte Vaala Rang Karake, Suit Se Apane Loongi Mila, Rakhana Tujhe Seene Pe Ab Maine Haye, Aaye, Aaye, Aaye, Aaye
I’ll match my scarf to your attire and hold you close as you are my heart.
Chhup-Chhup Takti Hoon Keh Na Sakati Hoon I can’t talk, but my eyes reveal what my lips cannot
Tu Kya Jaane Mere Yaar, Tu Kya Jaane Mere Yaar
My love for you is so deep that you cannot fathom it, my sweetheart

Ho Sang Na Chhodde Ishq Nichode Bajane De Tan Ke Taar, Haye Sang Na Chhodde Ishq Nichode Bajane De Tan Ke Taar
Silently gazing, my eyes will confess what my lips cannot.
Tu Kya Jaane Mere Yaar, Hayi, Tu Kya Jaane Meri Jaan
Let our love song play forever, and let the strings of my heart sway only for you, my love

The album’s pièce de résistance, “Baaja,” vocalized with fervor by Mohit Chauhan, is a robust composition that encapsulates the socio-political turbulence of Punjab in the 1980s—a period marred by militancy and simultaneously illuminated by Chamkila’s audacious and provocative musical narratives. The track is a sonic embodiment of the era, reverberating with the spirit of resistance and the undying zest for life that characterized Chamkila’s oeuvre. Intiaz Ali and Rahman stated in an interview that the idea behind the track was styled like a Broadway musical, with a narrative built in, and the lyrics would be like that of someone posting comments on YouTube or a social media site. So basically gossip mixed with fact just to show what kind of talk Chamkila’s music and life inspired. It is an ultimate tribute to the legendary Punjabi singer, who was known for his bold and controversial lyrics that challenged societal norms.

Sung by Mohit Chauhan, Romy, Suryansh, and Inderpreet Singh, the song perfectly captures the essence of Chamkila, leaving no room for doubt or interpretation. Suryansh sings the opening verse in a very dreamy, ghazalesque sort of way (which could be a song in itself) which then shifts to a beat rhythm-filled extravaganza breathing into it, a full-bodied energy, the story begins with Mohit Chauhan singing the next lyric verse; even more interesting is the character we see onscreen, is Mohit Chauhan himself! The song has been arranged and produced in a very unique way that showcases wide orchestral arrangement that is quite peppy and vibe’y’; I like how Rahman says it, ‘They allowed me to go wild’. The tempo changes are sudden but listen closely to the changes with the lyrics, it makes your heart race. The last two minutes of the track is THE mic drop moment, the tempo change is magnetic is so precisely Punjabi and crystal clear. No doubt Rahman has a clear winner here! Irshad Kamil’s prowess is fantastic in this track, he invokes the allure of the life and death of Chamkila using a playful tone in wordplay. There are even direct references to the real songs that Chamkila sang (this is the only track in which this appears).

Ain Ishq Da Pehla Akkhar Samajh Na Sab Nu Aawe
Not everyone grasps the significance of the first letter of love.
Koi Jhalla Sajde Karde, Koi Toombi Te Gawe
Some people demonstrate their respect by bowing down, while others express admiration

Jaye Koi Sajde Kar Da, Ya Toombi Te Gawe
Certain individuals offer prayers, while others sing songs in adoration.
Vakhra-Vakhra Sab Da Rasta, Ik Manzil Te Jawe Ik Manzil Te Jawe
Everyone is on distinct journeys, but they all lead to one ultimate destination.
Baj Baja Baja, Baj Baja Baja
The trumpet is playing!
Khela Shuru Hai, Aa Dekhein Aaja
The game has started. Come, let’s watch together
Sakht Waqt Tha Wo Bhay Bhanak Tha
In the past, times were tough and terrifying, marked by an era of violence and terror.
Dahshaton Ka Daur Chali Tha Thoo, Tha Thoo Nit Goli, Nit Rakt Ki Holi Aatank Mein Boli,
Bullets flew, and blood was spilled.
De Jan, Mal, Ghar-Dwar Bas Var Khatre Mein, Khuni Khatre Mein
Amidst the danger, bullets spoke and demanded the surrender of wealth and home

Chamkeela, Chamka Aise Mein, Cham Cham Chamkeela Chamkila,
the one who shone brightly!
Haye Baj Baja Baja, Baj Baja Baja
The trumpet is playing!
Khela Shuru Hai, Aa Dekhein Aaja
The game has started. Come, let’s watch together.
Lachar-Lachar Ganon Mein, Tharak-Tharak Tanon Mein
In a world filled with ordinary songs and catchy tunes, there was one who stood out

Sexy Geet Jata Tha, Tand Khol Jata Woh
He was Chamkila, and he was known for singing bold and explicit songs.
Jis Wajah Se Chamka Woh, Us Wajah Se Chamka
The reason he excelled and became renowned became the cause of his death.
Chamkeela Sexy La Tharkila Woh Ganda-Ganda
His lyrics were provocative, and he was seen as audacious and scandalous
Aa Sharmi-Besharmi, Gadre Mein Garmi
Chamkila sang fearlessly, without any shame.
Chamkeela Baghi Bole Adharmi
He didn’t shy away from sensuality in his songs, and he remained unscathed by the illusions of the world

Hum Bhi Gane Gate, Sharam Na Pee Jate
We sometimes sing songs but feel embarrassed about the lyrics.
Jism Ki Mohmaya Mein Na Doob Jate Hain
We don’t get lost in the physical attraction between people.
Chhedta Chabeela, Bistaron Ke Leela Chamkeela,
the vocalist, discusses intimate stories in his music.
Kuch Zyada Hi Kapdon Se Bahar Tha Chamkeela
He was a bit too bold with his song lyrics
Bas Baja Baja, Baj Baja Baja
The trumpet is playing!
Oh Ji Han, Sare Sunte Uske Gane Sare Sunte Uske Gane, Koi Mane Ya Na Mane
His songs are listened to by everyone, whether they acknowledge it or not.
Ji Han, Kuch Lagte Hain Sharmane, Kuch Lagte Hain Jhallane
When questioned, some people feel ashamed while others ignore him,
Koi Mane Ya Na Mane, Sab Jane, Koi Mane Ya Na Mane
but everyone is aware, Chamkila, whether they admit it or not

Ve Chamkeela Bole, Teri Hik Te Malai Aayi Aayi
Banhon Mein Bhabhi, Jeth Sharabi, Kudi Pataka
Steering Nu Hath Paundi
Main Sikhar Dopahar Nahandi Nu Oh Tak-Tak
Gunda Kunda Fadke, Ladke Kar Da Baha Mera
Thak-Thak Thak-Thak Thak-Thak
This stanza covers the lyrics of popular yet controversial Chamkila songs that have double meanings

Oh Bapu Sada Gum Ho Gaya, Teri Ma Di Talashi Leni
Jija Lakke Min, Lakke Min, Lakke Min, Bhij Gayi Bahar Khadi
Pi Lal Pari Main Chak-Chak, Oye Chak-Chak
Kaset-Vest Tawe-Save Uske Biken Sabse Zyada Abtak, Oh Abtak
The vocalist proceeds to discuss Chamkila’s song lyrics.
His cassettes sold more than anyone else’s

Ae Ae Ganda Sa Banda Hai Social Darinda Hai
Ae Ganda Sa Banda Hai Social Darinda Hai
He didn’t adhere to social conventions
and was often seen as a troublemaker

Wo To Mirza Malang Tha, Gareebon Ke Wo Sang
Majnuon Ka Masihah, Unche Logon Se Woh Tang
He lived like Mirza, providing support
and companionship to the poor,
and was considered a savior to the downtrodden

Jhuthon Se Uski Kattiyan,
Jhuthe Jag Se Thi Uski Kattiyan
He didn’t like being around insincere people
or living in a phoney world.

Khabon Mitti Ki Upaj, Neeche Logon Ki Ramaz,
Puri Jata Tha Samajh, Seedha Sadha Woh Sehk
He was a determined and straightforward individual
who empathized with his audience.

Jhuthon Se Uski Kattiyan,
Jhuthe Jag Se Thi Uski Kattiyan
He didn’t like being around insincere people
or living in a phoney world.

Luk-Shupke Sunenge Sun-Sunkar Haseinge,
Has-Haskar Marenge, Aaha
The melodies he created will persist,
causing people to experience emotions and wonder.

Din Dhalta Rahega, Tan Jalta Rahega,
Dil Karta Rahega, Aaha
The sun will set, the body will burn,
But the heart will keep beating

Sune Sare Chamkeela Desiyo Ki Rangleela,
Poochne Pe Mane Koi Na
Everyone secretly loves Chamkila’s music
but won’t admit it.

Haye Baj Baja Baja, Baj Baja Baja
The trumpet is playing!

Khela Shuru Hai, Aa Dekhein Aaja
The game has started. Come, let’s watch together.

Another track that merits particular attention is “Bol Mohobbat,” which is imbued with Sufi mysticism and adorned with ethereal flute arrangements. It stands as a testament to Rahman’s versatility as a composer, seamlessly integrating diverse musical traditions to create a soundscape that is both haunting and transcendent.It is a powerful ballad with a heave set percussion and rhythm arrangement; Rahman shares the vocal stage with Kailash Kher and the duo relishes the high’s and low’s with perfect ease. The sufi styled tune matches to what Irshad Kamil has written, along with using Baba Bulleh Sha’s words as pillar of strength for this greatly inspired track.

“Bol Mohabbat” is a song that expresses the intensity and depth of love. The lyrics speak about the light of love filling the heart, and the desire to live fully in the moment of love’s embrace. It’s a call to acknowledge the power of love and let it resonate within. The song also touches on themes of destiny and fate, suggesting that love is a force that can transcend even the most challenging circumstances.

The flute opens the track with a suffused melancholy, before the ‘protest’ as the percussion begins, hear how the vocalists traverse the aaroha and avaroha of this Raga Ahir Bhairav inspired track; it is spectacularly mounted, even the design with the alaaps fused into the background, this is the Rahman we missed the most! Ingenious is the way it is portrayed on-screen, it gives the right josh required for the scenes.

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

Hai Sookhe Honth Muqaddar Ke
Parched Are The Lips Of Fate
Aur Mujhme Qaid Qalandar Ke
And Of The Imprisoned Monk In Me
Tu Khol De Gire Andar Ke
Open The Locks Inside Me
Ab Naam Khumari Peene La
Let Me Embrace The Drunkeness

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

Hai Sookhe Honth Muqaddar Ke
Parched Are The Lips Of Fate
Aur Mujhme Qaid Qalandar Ke
And Of The Imprisoned Monk In Me
Tu Khol De Gire Andar Ke
Open The Locks Inside Me
Ab Naam Khumari Peene La
Let Me Embrace The Drunkeness

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

Bulla Shah Diyan Jaane
O! Bulleh Shah, What They Do Is Up To Them
Mainu Apni Tod Nibhavan De
Let Me Perform My Duty Fully
Mainu Russda Mod Liyavan De
Let Me Bring Back The Upset Ones
Mainu Dukhda Mod Mukavan De
Let Us Lament And Get Done

Noor Mohabbat Seene La
Embrace The Light Of Love
Rabba Rabba Seene La
Embrace It Completely
Bulla Shah Diyan Jaane
O! Bulleh Shah, What They Do Is Up To Them
Mainu Apni Tod Nibhavan De
Let Me Bring Back The Upset Ones
Mainu Russda Mod Liyavan De
Let Us Lament And Get Done

Hari Har Hari Har Hari Har
Hari Har Hari Har Guru Nagri
Hari Har Hari Har Hari Har
Hari Har Hari Har Guru Nagri
The Greenery Of This Land

Bhari Bhari Jaaye Re
Bhari Bhari Jaaye Re
Bhari Bhari Jaaye Re Mann Gagri
May This Land Prosper
Tu Hi Na Jo Mera Toh
If You Are Not Mine
Hasaye Mujhe Kon
Then Who Can Make Me Smile

Ho Main Kis Kis Ko Samjhaunga
Oh, Who Will I Make Understand
Mera Ulta Taana Baana Hai
My Insides Are Turned Upside Down
Mera Aag Alag Aakaash Alag
My Fire Is Different, My Heaven Is Different

Meri Ajab Si Mitti Paani Hai
A Strange Sweet Water
Meri Hawa Kabhi To Badli Hai
Sometimes The Winds Of Change
Na Tanga Hua Da Fanaah Hona
Doesn’t Fight Or Finish Me
Na Mitti Hi Marjaani Hai
Nor Provides The Sweetness Of Death

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

Hai Sookhe Honth Muqaddar Ke
Parched Are The Lips Of Fate
Aur Mujhme Qaid Qalandar Ke
And Of The Imprisoned Monk In Me
Tu Khol De Gire Andar Ke
Open The Locks Inside Me
Ab Naam Khumari Peene La
Let Me Embrace The Drunkeness

Noor Mohabbat Seene La Rabba Rabba Seene La
Embrace The Light Of Love
Bol Mohabbat Seene La Akhar Akhar Seene La
Embrace It Completely

It is apt that this track is the final song from the soundtrack; ‘Vida Karo’ comes as a lament tyo give permission to leave. It seems to be a satirical take to the same society that plunged Chamkila in this state, in life they taunted him to exploit him, and in death as well, they exploited him. He wants to leave peacefully and end all the madness, The poignant, heart-felt lyrics by Irshad Kamil are enough to leave you sobbing. The song written by Irshad Kamil has been inspired from a poem by Shiv Kumar Batalvi. His poem is titled Mainu Vida Karo.  Add to it the personality that Chamkila had which Imtiaz so beautifully captured onscreen, He was a simple man, could never say no anyone, respected everyone, and even humble to the extent of his detriment. In the End he died for his simplicity, It remains a travesty that his death remains unsolved. The songs pleads to just bid him farewell and let him go.

Arijit Singh and Jonita Gandhi brings nostalgia back withe their rendition of this retro-tuned track. Rahman in his element once again, using his Raagmala skills and meanders the tune in a sweet-syrupy but pensive mood. As the track plays out on-screen, soaked eyes accompany the sweetness of the vocals by Arijit. It is fantastic to hear him croon in the lower octaves and get to nurture his lower-middle range. Jonita Gandhi is haunting in her rendition as well; a brilliant harmonious combination that was long-awaited and much needed. The use of Piano , flute and softer instruments are perfectly matched and tune is already a modern-day-classic.

Mainu Vida Karo, Mainu Vida Karo Ji
Please wish me goodbye, my friend.
Ab Vida Karo Mere Yaara
My dear buddy, I implore you to say goodbye now.
Mainu Vida Karo, Mainu Vida Karo Ji
Please let me go, my friend.
Maine Jaana Hai Us Paar
I must move on to the other side.
Tum Sabhi Saaf Sahi, Hoon Matt Maila Main
While you are all sincere and pure, I am tarnished and unclean.
Tum Sabhi Paak Magar, Paap Ka Dariya Main
You are all holy, but I’m a torrent of sin.
Mainu Vida Karo, Mainu Vida Karo Ji
Let me go, let me go, my love, my friend.
Ab Vida Karo Mere Yaara
Now, let me go, my buddy.

Jhooth Bhala Kyun Bologe Tum, Sab Sach Kehte Ho
You always speak the truth, while I may not.
Meri Nahin Hai Duniya Jisme Tum Sab Rehte Ho
The world I live in is not the same as yours.
Saath Tumhaare Aur Rahoon Main, Mera Toh Mann Tha
I wanted to stay with you all for longer.
Sach Hai Yahaan Pe Jo Bhi Bura Tha, Mere Kaaran Tha
True, everyone here was spoiled because of me, and all wrongs existed because of me.
Mainu Vida Karo, Mainu Vida Karo Ji
Please let me go, my friend.
Ab Vida Karo Mere Paar
I must move on to the other side.
Mere Sar Pe Saari Tohmat Dhar Dena
You could blame everything on me.
Main Toh Main Hoon, Rooh Bhi Meri Paagal Kar Dena
Not only could you blame my body, but also my spirit.
Tum Khush Rahna Sab Kuch Sahna, Mujhko Aata Hai
You’ll all be pleased. I know how to endure it all.
Toote Taare Ka Dharti Se Kaisa Naata Hai
What type of connection does a shattered star have with the Earth?
Mainu Vida Karo, Mainu Vida Karo Ji
Please let me go, my friend.
Ab Vida Karo Mere Yaara
Please let me go now, my dear friend.
Mainu Vida Karo, Mainu Vida Karo Ji
Please let me go, my friend.
Maine Jaana Hai Us Paar
I must move on to the other side.
Tum Sabhi Saaf Sahi, Hoon Matt Maila Main
While you are all sincere and pure, I am tarnished and unclean.
Tum Sabhi Paak Magar, Paap Ka Dariya Main
You are all holy, but I’m a torrent of sin.
Mainu Vida Karo, Mainu Vida Karo Ji
Let me go, let me go, my love, my friend.
Ab Vida Karo Mere Yaara
Now, let me go, my buddy.

Critics have unanimously extolled the soundtrack for its innovative approach in an otherwise monotonous Bollywood milieu and for Kamil’s vivid lyrical imagery that paints aural pictures with remarkable clarity and depth. The soundtrack is not merely a collection of songs but a rich tapestry of auditory artistry that is poised to be cherished by aficionados of music and cinema alike.

In essence, the “Amar Singh Chamkila” soundtrack is a synergistic masterpiece that not only pays tribute to the ‘Elvis of Punjab’ but also redefines the boundaries of film music in Bollywood. It is a compendium of musical brilliance that will undoubtedly leave an indelible mark on the annals of Indian cinema’s musical heritage.

Rating
★★★★★★★★★★