Pakeezah literally translates into ‘Pure One’, and if by some magical way one has to describe the music of this film, then “Pakeezah” truly is apt.
There are many iterations of Devdas all over Bollywood, and Anmol Ghadi is also one of them. The writers just switched Devdas and Paro’s affluence; in what results in an overly melodramatic adaptation.
Mughal-E-Azam’s music has truly played an important role in its phenomenal success. In this epic love story, Naushad’s melodies paired with Shakeel Badayuni’s lyrics were unbeatable. K. Asif took a decade to create his grand epic, “Mughal-e-Azam”. He made sure that each and every part of his baby depicted emotions on an epic scale. They say that the music is the soul of the film and it is no surprise then that K. Asif and Naushad made sure that the songs were unforgettable and luxuriously romantic. “Mughal-e-Azam” reminds us why we still have the song-and-dance formula in Hindi films. The music and poetry can add so many depths to a legendary romance and make many people want to revisit that film again and again. No wonder then that this film is now accepted as the definitive version of the Salim-Anarkali story.
Seems like the magic of the days gone by has not left me as yet. Had a listen to the genius of Naushad, Mohammed Rafi and Lata Mangeshkar coming together in Baiju Bawra on Vinyl. The songs are exemplary!!